Hyperrhiz 29

Table of Contents

Introduction

• Thematics in Web3 Artworks
  Merve Güven Özkerim and David M. Berry

Text into Motion

• What Ana María Caballero’s Artistic Practice Can Teach Us About Translation
  Can Koçak
• Reconstructing Poetry in Web3: An Interview with Ana Maria Caballero
  Ana María Caballero and Merve Güven Özkerim

Generative Adversarial Networks

• Ganbrood’s Post-Digital Art: Generative Adversarial Networks and Blockchain in Creative Practice
  Merve Güven Özkerim
• An Interview with Ganbrood: AI, Blockchain, and the Evolution of Post-Digital Art
  Bas Uterwijk and Merve Güven Özkerim

Chaos, Order and Temporality

• Generative Art at the Intersection of Chaos and Order
  Seda Ateş
• Beyond Representation: A Conversation with Golan Levin on Generative Art and Blockchain
  Golan Levin and Merve Güven Özkerim

Long Form Generative Art

• An Interplay Between Strict Rules and Randomness: On Harvey Rayner’s LFGart
  Mustafa Kemal Özkul
• Interview with Harvey Rayner: Exploring the Futuristic Side of Generative Art
  Harvey Rayner and Merve Güven Özkerim

Digital Art Ecosystems

• Decentralizing Creativity: Matt DesLauriers on Generative Art and Blockchain
  Alejandra Castelar-Cerna
• Coding Creativity: Insights from Matt Deslauriers on Generative Art
  Matt Deslauriers and Merve Güven Özkerim

Blockchain in Motion

• Choreography over Cryptography: Operator’s Human Unreadable and the Evolution of Art in the Digital Age
  Ridvan Özkerim
• Collaborative Art Practice, Technology and Human Unreadable: An Interview with Operator
  Ania Catherine and Dejha Ti (Operator) and Merve Güven Özkerim